Gullah Getaways

 

The Gullah are a distinctive group of Black Americans from South Carolina and Georgia in the southeastern United States. They live in small farming and fishing communities along the Atlantic coastal plain and on the chain of Sea Islands which runs parallel to the coast.

Because of their geographical isolation and strong community life, the Gullah have been able to preserve more of their African cultural heritage than any other group of Black Americans. They speak a creole language similar to Sierra Leone Krio, use African names, tell African folktales, make African-style handicrafts such as baskets and carved walking sticks, and enjoy a rich cuisine based primarily on rice.

Discover the Cultural Connection, Nomadic Noni can customize a Gullah Getaway for your group. See below choice experiences for Black Heritage Month 2019.

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Savannah, Georgia 

Ralph Mark Gilbert Civil Rights Museum a photographic and interactive exhibits memorializing Savannah’s own civil rights struggle.

First African Baptist Church

  • Oldest Black Church in North America since 1773.
  • The pews were made by enslaved people which are nailed into the floors.
  • The pews have markings written in the African dialect known as “Cursive Hebrew”.

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  • The ceiling of the church is in the design of a “Nine Patch Quilt” which represented that the church was a safe house for enslaved people.
  • Nine Patch Quilts was also a map and guide informing people where to go next or what to look out for during their travel.

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  • The holes in the floor are in the shape of an African prayer symbol known as a Congolese Cosmogram. In Africa, it also means “Flash of the Spirits” and represents birth, life, death, and rebirth.
  • Beneath the auditorium floor is a subfloor which is know as the “Underground Railroad” with 4 feet of height between both floors. People would feed those hiding through the holes to keep them nourished while in hiding.
  • The entrance to the Underground Railroad remains unknown.
  • After leaving the tunnel, the former enslaved people would try to make their way far north as possible.
  • The church served as the largest gathering place for blacks and whites to meet during the time of segregation.

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A little-known monument stands in the center of Franklin Square. Savannah’s Haitian Monument memorializes the contributions of the Chasseurs-Volontaires de Saint-Domingue, the Haitian volunteer regiment that fought for America in the Siege of Savannah during the Revolutionary War. The only colonized nation that claimed a successful slave revolt, Haiti was a kindred spirit to revolution. The Haitian regiment, one of the only black regiments, defended Savannah valiantly with many of their foot soldiers making the ultimate sacrifice for the American cause. Though their service was never formally recognized by the country they fought for, Savannah installed the monument to atone for this critical shortcoming of its parent nation.

Learn about the Gullah culture direct from residents who grew up in a small, close-knit community.

Discover the contribution of Africans in the creation of the colony of Georgia, the State of Georgia, and the City of Savannah; secret schools; spiritual and cultural highlights of Africans in Savannah.

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The whole stretch of Savannah’s famous River Street brims with Black history. The cobbles composing the street were painstakingly laid by the hands of enslaved Africans. Telling holes and chain remnants that bound slaves captive mar the walls of the brick bays that line Factors’ Row. A historic tour down River Street will reveal untold truths about the strip’s dark past, but one important beam of light stands in tribute to The Emancipation. Erected just behind the Hyatt Hotel in 2002, the African American Monument was designed and installed by a SCAD professor-student duo. The monument depicts a family of four in close embrace with the chains of slavery lying at their feet. The stone base is inscribed with an inspiring passage from the late Maya Angelou. The monument is an important place to stop and pay respect to the slave families who built Savannah by hand.

Explore African and Haitian culture through Art.

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Hilton Head Island, South Carolina

Experience a Taste of Gullah, authentic Gullah dishes such as Okra Gumbo, Conch Stew, friend shrimp dusted in traditional Gullah seasonings and classic barbecue favorites like char-grilled chicken and ribs.

Enjoy The Arts Ob We People: Winter Exhibition and Sale, a display of original work by emerging and leading artists that represents the life of Gullah people on Hilton Head Island and the surrounding community. Artists will be onsite at various times throughout the exhibit.

Explore “Through the Eyes of Gullah Elders”.  A feature-length documentary featuring Gullah elders, the descendants of freedmen, based on the historic Hilton Head Island in South Carolina. They share their personal stories about their communities, farming, fishing, upbringing, church, education, Northern Migration, food ways, language and the development that came with the construction of the bridge in 1956 and how it greatly impacted their lives.

Soul Food and Friends Cooking Classes. Great cooking is about more than recipes—it’s about techniques. In this evening class you’ll work together with other students in a fun, hands-on environment led by authentic Gullah Chefs. Get tons of hands-on practice on preparing lowcountry favorites using locally sourced foods!

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Explore Gullah communities on Hilton Head Island when the island’s landscape was only farmlands, trees, dirt roads, wildlife and natural waterways throughout and around the island. The distinctive Gullah language, traditional foods and recipes, music, religion, social structure and folktales will all be woven into an interactive educational and entertaining experience. You will come away with an understanding of how the descendants of former enslaved people developed and maintained these communities on the then-isolated island.

The Gullah Market: An Arts, Crafts and Food Expo. The annual Gullah Market offers cultural demonstrations, authentic Gullah and African crafts and food for sale, as well as an offering of traditional storytelling, music entertainment and the Celebration of African American Authors. Featured performances by the Gullah Geechee Ring Shouters, Wona Womalan West African Drum and Dance Ensemble, Gullah Ooman Louise Cohen and more!

For almost twenty years Theresa Noni Charles has been creating and coordinating cultural and educational programs and services that focus on Africa and the Diaspora. From weekend getaways to youth and adult excursions abroad. To developing community programs and hands on learning opportunities. The journey continues as Nomadic Noni embarks on a world-wide adventure connecting cultures through educational experiences.  Join the journey sign-up for our e-newsletter email info@nomadicanoni.com.

Theresa Noni Charles

http://www.nomadicnoni.com

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Rooted in African Tradition

orishas-235226_960_720.jpgWest African religions came to Brazil with the enslaved Africans believing in deities or orishas. Each orisha is endowed with its own personality and unique powers, and was associated with a particular set of natural elements. The Portuguese however, insisted that all new arrivals be forcibly converted to Catholicism. The struggle gave rise to Candomble, a blending of Catholicism and the African beliefs.

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Orisha are guardian spirits. The Lucumi Yoruba believe in one Higher Power. They call him Olodumare. They believe that each person has a Guardian Spirit called an “Orisha”. Orisha are aspects of the Supreme Being that are manifested as forces of nature. When Yoruba slaves were brought to the New World they brought their beliefs with them. This belief system is known as Lukumi in Cuba, and Puerto Rico, though it is often referred to as “Santeria”. These beliefs are known as Candomble in Brazil, and Shango Baptist in Trinidad.

Necklaces (Ilekes) every color is known to denote a specific orisha.

Orishas

Ogún is the god of iron, war and labor. He colors are green and black.

Obatalá is the kindly father of all the orishas and all humanity. His color is white.

Oyá is the ruler of the winds, the whirlwind and the gates of the cemetery. She is also known for the color of maroon.

Oshun

Oshún rules over the sweet waters of the world, the brooks, streams and rivers, embodying love, fertility. She also is the one we most often approach to aid us in money matters. She is the youngest of the female orishas but retains the title of Iyalode or great queen. She recognizes herself in the colors yellow and gold.

Yemanja

Yemayá lives and rules over the seas and lakes. She also rules over maternity in our lives as she is the Mother of All. Her colors are blue and white, and she is most often represented by the fish who are her children.

Shangó perhaps the most ‘popular’ of the orishas, Shangó rules over lightning, thunder, fire, the drums and dance. He is a warrior orisha with quick wits, quick temper and is the epitome of virility. His colors are red and white.

Source: weba-music.org and OrishNet.org

Ready. Set. Go to Salvador da Bahia, Brazil! Let Nomadic Noni plan and customize the most amazing and memorable cultural experiences for your group www.nomadicnoni.com

Theresa Noni Charles, Cultural Travel Enthusiast. Educator. Explorer.

Afro Blocos

The following are five popular blocos in Salvador. Each represents a particular district or community within the city. The people of those communities feel a part of their respective blocos and follow them in a great mass during Carnaval. Each of these blocos is identified by symbols, colors, clothing, and unique instrumentation.

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Ilê Aiyê
The first bloco afro was founded in 1974 in the Salvador district of Curuzu/Liberdade by Antonio Carlos “Vovô” (“Grandfather”). It was Vovô who developed many of the concepts that defined future blocos afros, inlcuding the concept that each bloco have its own sound. Vovô ceated Ilê Aiyê’s first unique rhythm, influenced by the music of Candomblé.

Ilê Aiyê words and music still speak of Africa, negritude, and the orixás (Yoruba gods). Their colors are yellow, white, red, and black. Their designs feature simple, African-style drawings of people, animals, patterns, and symbols.

The dance style is West African, and the dancers wear beautiful outfits of loose, colorful cotton, corn-rolled hair, and shells. Surdos and hand drums (including Remo jembes and timbals) dominate the instrumentation, with the ever-present snare drum and leads on repiques. Ilê sometimes use agogô to integrate African bell patterns.

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Malê Debalê

Like Ilê Aiyê, Malê Debalê has remained a traditional bloco afro, producing spiritual music of percussion and voice, and steering clear of pop music. They were founded in the community of Itapuã in 1979. Their music is powerful and political, with themes closer to the earthly issues facing black in Bahia than Ilê Aiyê’s chants to the orixás. Because they represent a seaside community, one of the trademarks of this bloco is the use of water themes in their performances and music. Malê Debalê’s colors are red, green, yellow, and black.

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Olodum
Olodum’s music evolved from percussion/voice-only samba reggae increasingly towards axé in the 1990s. Today, their concerts feature guitar, bass, keyboards, and brass, along with the timbales, repique, tarol, and five tightly-tuned surdos. The band colors are black, yellow, red, and green, painted onto their trademark surdos.

museza

Muzenza
This bloco was founded in 1982, and they are big followers of the Rastas in Jamaica. Their band colors are the green, black, and yellow of the Jamaican flag. The music today features a very wide range of styles, including samba reggae, axé, rock, hip-hop, and funk. Their name comes from a dance used in Candomblé to call the god, Oxalá, orixá of mystery, wind, and bells.

Timberland

Timbalada
Songwriter/singer/producer Carlinhos Brown formed Timbalada out of the Candeal ward in 1992. The distinctive instrument of Timbalada is its namesake, the timbal. This was a new (perhaps Brown) invention that imitated the jembe, but with more volume. Lightweight and cheap, it has become a favorite all over Brazil. Its most important feature is its loudness. It may be the loudest hand drum existence, an important requirement when competing with piercing stick drums such as repiques. Surdos also play a big role in Timbalada, along with timbales, shakers, and a new small repique called a bacurinha.

Ready. Set. Go to Salvador da Bahia! Let Nomadic Noni plan and customize the most amazing and memorable cultural experiences for your group. www.nomadicnoni.com

Theresa Noni Charles, Cultural Travel Enthusiast. Educator. Explorer.

African Influences on Carnival Traditions

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Important to Caribbean festival arts are the ancient African traditions of parading and moving in circles through villages in costumes and masks. Circling villages was believed to bring good fortune, to heal problems, and chill out angry relatives who had died and passed in the next world. Carnival traditions also borrow from the African tradition putting together natural objects (bones, grasses, beads, shells, fabric) to create a piece of sculpture, a mask, or costume-with each object or combination of objects representing a certain idea or spiritual force.

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Feathers were frequently used by African in their motherland on masks and headdresses as a symbol of our ability as humans to rise above problems, pains, heartbreaks, and illness-to travel to another world to be reborn and to grow spiritually. Today, we see feathers used in many, many forms in creating carnival costumes.

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African dance and music traditions transformed the early carnival celebrations in the Americas, as African drum rhythms, large puppets, stick fighters, and stilt dancers began to make their appearances in the carnival festivities.

In many parts of the world, where Catholic Europeans set up colonies and entered into the slave trade, carnival took root. Brazil, once a Portuguese colony, is famous for its carnival, as is Mardi Gras in Louisiana (where African-Americans mixed with French settlers and Native Americans). Carnival celebrations are now found throughout the Caribbean in Barbados, Jamaica, Grenada, Dominica, Haiti, Cuba, St. Thomas, St. Marten; in Central and South America in Belize, Panama, Brazil; and in large cities in Canada and the US where Caribbean people have settled, including Brooklyn, Miami, and Toronto. Even San Francisco has a carnival!

Source: Jamaica Observer

 

Staying Healthy in Ghana

The first time I traveled to Ghana I thought I packed everything but realized not the most important thing until I arrived…. insect repellent…I was eaten alive. You will hear this a lot but it’s true, don’t drink the local water! I was traveling solo and ran out of bottled water while traveling from Accra to a rural area 3 hours away. I just knew the school I was visiting would have a nice cold bottled water waiting for me.  I was excited with anticipation but was greeted with local water because they ran out of bottled water. I made an impaired (near dehydration) decision to drink the local water. And the result was me being laid up in a hotel for two days to recuperate because I was too sick to travel back to Accra. Oh, and let’s not forget travelers’ diarrhea, all I’m going to say is don’t leave home without those pills.

These were some of my lessons learned years ago during my first two trips to Ghana. Enjoy your adventure but heed my cautionary tale and safeguard your travels.

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Health Tip #1: Take a prescription anti-malaria drug. Holistic Perspective: The Nim Tree has medicinal attributes against malaria (Nim Tea).

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Health Tip #2: Spray yourself and your clothing with insect repellent containing 30 percent DEET.

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Health Tip #3: Wear long light-colored pants and shirts with long sleeves in the evenings.

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Health Tip #4: Do Not eat food from street vendors. Boil it, cook it, peel it or forget it. Make sure food is well cooked.

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Health Tip #5: Only drink sealed bottled water. No ice cubes.

 

 

 

 

 

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Health Tip #6: Use Sunscreen with at least SPF 15.

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Health Tip #7: Don’t forget to pack your medications along with a personal first aid kit.

Check out other posts and website about Africa and the Diaspora www.nomadicnoni.com 

Destination Ghana: Prepare for Take-off

Ghana the Gateway to Africa! The culture, food, and the people what an amazing opportunity to return to the source – Sankofa.  Enjoying sun-drenched days while shopping til you drop and balmy nights, dancing to Highlife and Hiplife music while enjoying a nice cold drink. Akwaaba – welcome to Ghana! But wait before you book that plane ticket Know Before You Go! Planning for your trip starts months prior to take-off.

I’ve been traveling and organizing group tours to Ghana since 1999 and trust me have waited to the last minute to get some of these things done. Wasting valuable time running around gathering documents and praying that I get my visa approved in time for departure. Learn from my mistakes and use this checklist to navigate the planning process prior to take-off.

Step 1: Get a Passport

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  • Find a Passport Acceptance Facility in your Area http://iafdb.travel.state.gov/
  • Allow 4-6 weeks for processing. Expedite service is available for an additional fee
  • Apply, Renew or Add Pages for a Passport Online http://travel.state.gov/passport
  • Passport must show at least six months’ validity from date of travel.

Step 2: Yellow Fever Vaccination Certificate

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  • A yellow fever vaccination is required for entry into Ghana, West Africa
  • Schedule an appointment 4-6 weeks prior to travel https://wwwnc.cdc.gov/travel/yellow-fever-vaccination-clinics/search
  • After receiving the vaccine, you will receive a signed and stamped International Certificate of Vaccination or Prophylaxis (ICVP, sometimes called the “yellow card”), which you must bring with you on your trip.
  • The vaccine lasts for life for most people, but a booster after 10 years is recommended for certain people.

Step 3: Valid Entry Visa

visa application form

  • A valid entry visa is required to enter Ghana.
  • Submit visa application and passport at least 2-4 weeks prior to travel.
  • Visit Embassy or Consulate website for complete processing details. Washington, DC , New York, Houston.
  • Applications can be submitted online or as a walk-in depending on location. Expedite service is available for additional fee.
  • Single entry visas valid for 3 months from time of issue. Multi entry visas valid for 3 years.

Step 4: Malaria Preventive Treatment

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  • Mefloquine (Lariam) is recommended for malaria prevention for travelers to countries where there is Chloroquine-resistant malaria.
  • Your health care provider will prescribe your anti-malarial based on your travel itinerary and medical history.
  • CDC’s Travelers’ Health cdc.gov/travel

Step 5: Travel Insurance

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Protect your investment get travel insurance. Expect the unexpected travel insurance can cover illness preventing you from traveling, loss luggage, delayed flights and even emergency evacuation.

You are now ready for take-off! Check out other posts and website about Africa and the Diaspora www.nomadicnoni.com 

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